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The Wicker Man

The Wicker Man

Horror · 1973

Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. The investigation is further complicated as Howie’s religious views clash with those of the island’s residents.

Movie details

The Wicker Man

“Flesh to touch...Flesh to burn! Don't keep the Wicker Man waiting!”

1973 Horror 1h 33m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

103.9K votes

Rotten Tomatoes

92 %

Tomatometer

Metacritic

87 / 100

Metascore

TMDB

7.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. The investigation is further complicated as Howie’s religious views clash with those of the island’s residents.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wicker Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Robin Hardy

Written by

Anthony Shaffer

Edward Woodward

Edward Woodward

Sergeant Neil Howie

Christopher Lee

Christopher Lee

Lord Summerisle

Britt Ekland

Britt Ekland

Willow MacGreagor

Diane Cilento

Diane Cilento

Miss Rose

Ingrid Pitt

Ingrid Pitt

Librarian

Roy Boyd

Roy Boyd

Broome

Lesley Mackie

Lesley Mackie

Daisy

Court is in session

Put The Wicker Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.