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Daddy's Little Girls

Daddy's Little Girls

Comedy · Drama · Romance · 2007

Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn't be less alike, but a flame is ignited... touching off a firestorm of love and conflict.

Movie details

Daddy's Little Girls

“Family comes first”

2007 Comedy · Drama · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn't be less alike, but a flame is ignited... touching off a firestorm of love and conflict.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daddy's Little Girls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tyler Perry

Written by

Tyler Perry

Gabrielle Union

Gabrielle Union

Julia Rossmore

Idris Elba

Idris Elba

Monty James

Louis Gossett Jr.

Louis Gossett Jr.

Willie

Tasha Smith

Tasha Smith

Jennifer Jackson

Tracee Ellis Ross

Tracee Ellis Ross

Cynthia

Malinda Williams

Malinda Williams

Maya Elizabeth

Terri J. Vaughn

Terri J. Vaughn

Brenda

Court is in session

Put Daddy's Little Girls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.