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Kill for Me

Kill for Me

Drama · Thriller · 2013

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.

Movie details

Kill for Me

“What wouldn't you do for your roommate?”

2013 Drama · Thriller 1h 35m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kill for Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Greenspan

Written by

Christopher Dodd · Michael Greenspan · Christian Forte

Katie Cassidy

Katie Cassidy

Amanda Rowe

Tracy Spiridakos

Tracy Spiridakos

Hailey Jones

Donal Logue

Donal Logue

Garret Jones

Adam DiMarco

Adam DiMarco

Mark

Shannon Chan-Kent

Shannon Chan-Kent

Zoe

Torrance Coombs

Torrance Coombs

Cameron

Chelah Horsdal

Chelah Horsdal

Maria Klein

Court is in session

Put Kill for Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.