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Supercross

Supercross

Action · Adventure · Drama · 2005

Faced with the suspicious death of their father, two brothers must motivate one another to get back on their bikes and take the Las Vegas Motocross Championships by storm.

Movie details

Supercross

“Fear nothing. Risk everything.”

2005 Action · Adventure · Drama 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Faced with the suspicious death of their father, two brothers must motivate one another to get back on their bikes and take the Las Vegas Motocross Championships by storm.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Supercross?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Empire

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Big time drug dealer Victor Rosa is looking to get out of the game and sees his chance with a big deal with a new friend who happens to be a Wall St. stockbroker. Thinking this will be his chance to go out on top, Victor soon finds out that he's been double crossed and his last option is to get revenge.

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The Rookie

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Action · 1990

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Where it lives

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Names above the title

The people responsible.

Directed by

Steve Boyum

Written by

Ken Solarz · Bart Baker · Keith Alan Bernstein

Steve Howey

Steve Howey

K.C. Carlyle

Mike Vogel

Mike Vogel

Trip Carlyle

Cameron Richardson

Cameron Richardson

Piper Cole

Sophia Bush

Sophia Bush

Zoe Lang

Channing Tatum

Channing Tatum

Rowdy Sparks

Robert Carradine

Robert Carradine

Clay Sparks

Robert Patrick

Robert Patrick

Earl Cole

Court is in session

Put Supercross on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.