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Rooster Cogburn

Rooster Cogburn

Adventure · Drama · Western · 1975

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

Movie details

Rooster Cogburn

“The man of "True Grit" is back and look who's got him!”

1975 Adventure · Drama · Western 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rooster Cogburn?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Man in the Wilderness

Man in the Wilderness

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News of the World

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A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.

True Grit

True Grit

Western · 1969

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

Silverado

Silverado

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Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.

Dead Man

Dead Man

Drama · 1995

On the run after committing murder, an accountant encounters a strange Native American man who prepares him for his journey into the spiritual world.

Wyatt Earp

Wyatt Earp

Western · 1994

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.

El Dorado

El Dorado

Western · 1966

Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.

One-Eyed Jacks

One-Eyed Jacks

Western · 1961

Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return.

Rio Bravo

Rio Bravo

Western · 1959

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Rancho Notorious

Rancho Notorious

Drama · 1952

A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.

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Names above the title

The people responsible.

Directed by

Stuart Millar

Written by

Martha Hyer

John Wayne

John Wayne

Reuben J. "Rooster" Cogburn

Katharine Hepburn

Katharine Hepburn

Eula Goodnight

Anthony Zerbe

Anthony Zerbe

Breed

Richard Jordan

Richard Jordan

Hawk

John McIntire

John McIntire

Judge Parker

Paul Koslo

Paul Koslo

Luke

Jack Colvin

Jack Colvin

Red

Court is in session

Put Rooster Cogburn on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.