The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Fright Night Part 2
Horror · Comedy · 1988
After three years of therapy Charley Brewster, now a college student, is convinced that Jerry Dandridge was a serial killer posing as a vampire. But when Regine, a mysterious actress and her entourage move into Peter Vincent's apartment block, the nightmare starts again - and this time it's personal!
Movie details
Fright Night Part 2
“Do you have a taste for terror? The suckers are back.”
1988 Horror · Comedy 1h 44m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
After three years of therapy Charley Brewster, now a college student, is convinced that Jerry Dandridge was a serial killer posing as a vampire. But when Regine, a mysterious actress and her entourage move into Peter Vincent's apartment block, the nightmare starts again - and this time it's personal!
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Fright Night Part 2?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Reclusive vampires lounge in a lonely American town. They wear sunscreen to protect themselves. A descendant of Van Helsing arrives with hilarious consequences.
The Voices
Comedy · 2014
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Fright Night
Horror · 2011
A teenager suspects his new neighbour is a vampire. Unable to convince anyone, he tries to enlist the help of a self-proclaimed vampire hunter and magician.
An American Werewolf in Paris
Horror · 1997
An American man unwittingly gets involved with werewolves who have developed a serum allowing them to transform at will.
Scream Blacula Scream
Horror · 1973
After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.
Bordello of Blood
Horror · 1996
Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine's boss, televangelist Jimmy Current.
A Return to Salem's Lot
Horror · 1987
Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.
Freddy vs. Jason
Horror · 2003
Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.
Boo! A Madea Halloween
Comedy · 2016
Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.
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Names above the title
The people responsible.
Cast & crew
Directed by
Tommy Lee Wallace
Written by
Miguel Tejada-Flores · Tommy Lee Wallace · Tim Metcalfe
William Ragsdale
Charley Brewster
Roddy McDowall
Peter Vincent
Traci Lind
Alex
Julie Carmen
Regine Dandrige
Jon Gries
Louie
Russell Clark
Belle
Brian Thompson
Bozworth
Court is in session
Put Fright Night Part 2 on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.