“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Rita, Sue and Bob Too
Comedy · Drama · 1987
On a run-down Bradford council estate, teenagers Rita and Sue both share a job babysitting for Bob and Michelle's children. On the way home one night, Bob takes Rita and Sue up to a deserted, countryside landscape. Knowing what he has in mind, the girls are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.
Rita, Sue and Bob Too
“Thatcher's Britain with her knickers down”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
On a run-down Bradford council estate, teenagers Rita and Sue both share a job babysitting for Bob and Michelle's children. On the way home one night, Bob takes Rita and Sue up to a deserted, countryside landscape. Knowing what he has in mind, the girls are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Rita, Sue and Bob Too?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Alan Clarke
Written by
Andrea Dunbar
Put Rita, Sue and Bob Too on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.





