“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The Whole Wide World
Drama · Romance · 1996
In 1930s Texas, pulp fiction master Robert E. Howard is introduced to Novalyne Price, a teacher with aspirations of becoming an author herself, and they begin a unique relationship filled with conversation and imagination. Although the possibility exists for romance, Howard's obsession with his work and dedication to his sick mother leads Price to look elsewhere for love, leaving Howard feeling betrayed and alone.
The Whole Wide World
“Based on a true story.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
In 1930s Texas, pulp fiction master Robert E. Howard is introduced to Novalyne Price, a teacher with aspirations of becoming an author herself, and they begin a unique relationship filled with conversation and imagination. Although the possibility exists for romance, Howard's obsession with his work and dedication to his sick mother leads Price to look elsewhere for love, leaving Howard feeling betrayed and alone.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Whole Wide World?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Dan Ireland
Written by
Michael Scott Myers
Put The Whole Wide World on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.





