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Shirley Valentine

Shirley Valentine

Romance · Comedy · 1989

Wondering what has happened to herself, now feeling stagnant and in a rut, Shirley Valentine finds herself regularly talking to the wall while preparing her husband's chips and egg. When her best friend wins a trip-for-two to Greece Shirley begins to see the world, and herself, in a different light.

Movie details

Shirley Valentine

“No one thought she had the courage, the nerve, or the lingerie.”

1989 Romance · Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Wondering what has happened to herself, now feeling stagnant and in a rut, Shirley Valentine finds herself regularly talking to the wall while preparing her husband's chips and egg. When her best friend wins a trip-for-two to Greece Shirley begins to see the world, and herself, in a different light.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Shirley Valentine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lewis Gilbert

Written by

Willy Russell

Pauline Collins

Pauline Collins

Shirley Valentine-Bradshaw

Tom Conti

Tom Conti

Costas Demitriadis

Julia McKenzie

Julia McKenzie

Gillian

Alison Steadman

Alison Steadman

Jane

Joanna Lumley

Joanna Lumley

Marjorie Majors

Sylvia Syms

Sylvia Syms

Headmistress

Bernard Hill

Bernard Hill

Joe Bradshaw

Court is in session

Put Shirley Valentine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.