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Angel Face

Angel Face

Drama · Crime · 1953

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

Movie details

Angel Face

“She loved one man …enough to KILL to get him!”

1953 Drama · Crime 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angel Face?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Madame X

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Holly Parker, the wife of a wealthy diplomat, is compromised by the accidental death of a man who has been romantically pursuing her. She is forced by her mother-in-law to assume a new identity in order to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men. Eventually returning to the city of her downfall, she murders a blackmailer who threatens to expose her past. Amazingly, Holly is represented at her murder trial by her now adult son, who has become a public defender. In the hope of protecting her family, she refuses to reveal her real name and is known to the court as "Madame X".

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The Mask of Dimitrios

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A mystery writer is intrigued by the tale of notorious criminal Dimitrios Makropolous, whose dead body was found washed up on the shore in Istanbul. He decides to follow the career of Dimitrios around Europe, in order to learn more about the man. Along the way he is joined by the mysterious Mr. Peters, who has his own motivation.

Thieves' Highway

Thieves' Highway

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Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.

No Way Out

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Drama · 1950

Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

The Rainmaker

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Fresh out of law school and desperate for work, idealistic rookie Rudy Baylor takes on a powerful insurance company accused of denying a dying boy’s claim. Teaming up with a scrappy, unlicensed paralegal, he finds himself in a David-versus-Goliath courtroom battle that tests his ethics, courage, and belief in justice.

The Children Act

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Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.

Killer's Kiss

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Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

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Names above the title

The people responsible.

Directed by

Otto Preminger

Written by

Oscar Millard · Frank S. Nugent · Chester Erskine · Ben Hecht

Robert Mitchum

Robert Mitchum

Frank Jessup

Jean Simmons

Jean Simmons

Diane Tremayne Jessup

Mona Freeman

Mona Freeman

Mary Wilton

Herbert Marshall

Herbert Marshall

Mr. Charles Tremayne

Leon Ames

Leon Ames

Fred Barrett

Barbara O'Neil

Barbara O'Neil

Mrs. Catherine Tremayne

Kenneth Tobey

Kenneth Tobey

Bill Crompton

Court is in session

Put Angel Face on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.