The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Please Don't Eat the Daisies
Comedy · Family · Romance · 1960
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
Movie details
Please Don't Eat the Daisies
“The Uproarious Movie From The Big Best-Seller!”
1960 Comedy · Family · Romance 1h 52m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Please Don't Eat the Daisies?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Charles Walters
Written by
Isobel Lennart
Doris Day
Kate Mackay
David Niven
Larry Mackay
Janis Paige
Deborah Vaughn
Spring Byington
Suzie Robinson
Richard Haydn
Alfred North
Patsy Kelly
Maggie
Jack Weston
Joe Positano
Court is in session
Put Please Don't Eat the Daisies on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.