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The Big Steal

The Big Steal

Crime · Thriller · 1949

Army Lieutenant Halliday, accused of stealing the Army payroll, pursues the real thief on a frantic chase through Mexico aided by the thief's ex-girlfriend and is in turn being chased by his accuser, Capt. Blake.

Movie details

The Big Steal

“Mitchum is HOT! - HOT...off location in the heart of Mexico...HOT...after a girl with a million-dollar figure!...HOT...at the nation's boxoffices...HOT...in his newest picture!”

1949 Crime · Thriller 1h 11m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Army Lieutenant Halliday, accused of stealing the Army payroll, pursues the real thief on a frantic chase through Mexico aided by the thief's ex-girlfriend and is in turn being chased by his accuser, Capt. Blake.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Big Steal?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

He Ran All the Way

He Ran All the Way

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A crook on the run hides out in an innocent girl's apartment.

The Man Who Cheated Himself

The Man Who Cheated Himself

Crime · 1950

A veteran homicide detective who has witnessed his socialite girlfriend kill her husband sees his inexperienced brother assigned to the case.

Family Plot

Family Plot

Comedy · 1976

Spiritualist Blanche Tyler and her cab-driving boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.

Killer's Kiss

Killer's Kiss

Thriller · 1955

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

Pushover

Pushover

Crime · 1954

A police detective falls for the bank robber's girlfriend he is supposed to be tailing.

Odds Against Tomorrow

Odds Against Tomorrow

Crime · 1959

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

Brute Force

Brute Force

Crime · 1947

Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?

Thieves' Highway

Thieves' Highway

Drama · 1949

Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.

The Night of the Hunter

The Night of the Hunter

Crime · 1955

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

The Lady from Shanghai

The Lady from Shanghai

Mystery · 1947

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

Where it lives

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Names above the title

The people responsible.

Directed by

Don Siegel

Written by

Daniel Mainwaring · Gerald Drayson Adams · Richard Wormser

Robert Mitchum

Robert Mitchum

Lt. Duke Halliday

Jane Greer

Jane Greer

Joan 'Chiquita' Graham

William Bendix

William Bendix

Capt. Vincent Blake

Patric Knowles

Patric Knowles

Jim Fiske

Ramon Novarro

Ramon Novarro

Inspector General Ortega

Don Alvarado

Don Alvarado

Lt. Ruiz

John Qualen

John Qualen

Julius Seton

Court is in session

Put The Big Steal on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Sentimental Softie

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.