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Swimming with Sharks

Swimming with Sharks

Crime · Comedy · 1994

Guy is a young film executive who's willing to do whatever it takes to make it in Hollywood. He begins working for famed producer Buddy Ackerman, a domineering, manipulative, coldhearted boss. When Guy also finds out that his cynical girlfriend, Dawn, has been using sex as a career move, he reaches his limit. Guy decides to exact revenge on Buddy by kidnapping him and subjecting him to cruel and unusual punishment.

Movie details

Swimming with Sharks

“In Hollywood his dreams could come true. But first he has to make coffee.”

1994 Crime · Comedy 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Guy is a young film executive who's willing to do whatever it takes to make it in Hollywood. He begins working for famed producer Buddy Ackerman, a domineering, manipulative, coldhearted boss. When Guy also finds out that his cynical girlfriend, Dawn, has been using sex as a career move, he reaches his limit. Guy decides to exact revenge on Buddy by kidnapping him and subjecting him to cruel and unusual punishment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Swimming with Sharks?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

George Huang

Written by

George Huang

Kevin Spacey

Kevin Spacey

Buddy Ackerman

Frank Whaley

Frank Whaley

Guy

Michelle Forbes

Michelle Forbes

Dawn Lockard

Benicio del Toro

Benicio del Toro

Rex

T.E. Russell

T.E. Russell

Foster Kane

Roy Dotrice

Roy Dotrice

Cyrus Miles

Matthew Flint

Matthew Flint

Manny

Court is in session

Put Swimming with Sharks on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Prestige Tourist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.