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Late Spring

Late Spring

Drama · 1949

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

Movie details

Late Spring

1949 Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Late Spring?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Tokyo Story

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An Autumn Afternoon

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Early Summer

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The Flavor of Green Tea Over Rice

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The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

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A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.

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After being diagnosed with a terminal illness, Futaba resolves to spend her remaining time reuniting her broken family, reopening the long-closed bathhouse, and helping her shy daughter Azumi learn to stand on her own.

Happy Hour

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Four women in their thirties reevaluate their relationships, both shared and private, after a startling revelation concerning one's marriage forces each of them to ask one of life's biggest questions: "Am I who I want to be?"

In This Corner of the World

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After the Storm

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Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

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Names above the title

The people responsible.

Directed by

Yasujirō Ozu

Written by

Kōgo Noda · Yasujirō Ozu

Chishū Ryū

Chishū Ryū

Shukichi Somiya

Setsuko Hara

Setsuko Hara

Noriko Somiya

Yumeji Tsukioka

Yumeji Tsukioka

Aya Kitagawa

Haruko Sugimura

Haruko Sugimura

Masa Taguchi

H

Hōhi Aoki

Katsuyoshi

Jun Usami

Jun Usami

Shuichi Hattori

Kuniko Miyake

Kuniko Miyake

Akiko Miwa

Court is in session

Put Late Spring on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.