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Prizzi's Honor

Prizzi's Honor

Romance · Comedy · Crime · 1985

Charley Partanna is a hitman who works for the Prizzis, one of the richest crime families in the US. When he sees Irene Walker, it's love at first sight. But he soon finds that she, too, is a killer for hire. Charley can overlook his suspicions, but he can't turn off his heart. And the couple must remember that even if they love each other, the Prizzis love only money.

Movie details

Prizzi's Honor

“Hired killers by day. Devoted lovers by night. Until they found out their next assignment was each other.”

1985 Romance · Comedy · Crime 2h 4m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Charley Partanna is a hitman who works for the Prizzis, one of the richest crime families in the US. When he sees Irene Walker, it's love at first sight. But he soon finds that she, too, is a killer for hire. Charley can overlook his suspicions, but he can't turn off his heart. And the couple must remember that even if they love each other, the Prizzis love only money.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Prizzi's Honor?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Huston

Written by

Janet Roach · Richard Condon

Jack Nicholson

Jack Nicholson

Charley Partanna

Kathleen Turner

Kathleen Turner

Irene Walker

Robert Loggia

Robert Loggia

Eduardo Prizzi

John Randolph

John Randolph

Angelo 'Pop' Partanna

William Hickey

William Hickey

Don Corrado Prizzi

Lee Richardson

Lee Richardson

Dominic Prizzi

Michael Lombard

Michael Lombard

Rosario Filargi " Finlay "

Court is in session

Put Prizzi's Honor on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.