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Dad

Dad

Drama · 1989

A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.

Movie details

Dad

“Sometimes the greatest man you ever meet... is the first one.”

1989 Drama 1h 57m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

5.5K votes

Rotten Tomatoes

58 %

Tomatometer

Metacritic

43 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dad?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gary David Goldberg

Written by

Gary David Goldberg

Jack Lemmon

Jack Lemmon

Jake Tremont

Ted Danson

Ted Danson

John Tremont

Ethan Hawke

Ethan Hawke

Billy

Kevin Spacey

Kevin Spacey

Mario

Olympia Dukakis

Olympia Dukakis

Bette Tremont

Kathy Baker

Kathy Baker

Annie

Zakes Mokae

Zakes Mokae

Dr. Chad

Court is in session

Put Dad on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.