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Freaks of Nature

Freaks of Nature

Science Fiction · Comedy · Horror · 2015

In the town of Dillford, humans, vampires and zombies were all living in peace - until the alien apocalypse arrived. Now three teenagers-one human, one vampire, and one zombie-have to team up to figure out how to get rid of the visitors.

Movie details

Freaks of Nature

“Get out undead or alive.”

2015 Science Fiction · Comedy · Horror 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In the town of Dillford, humans, vampires and zombies were all living in peace - until the alien apocalypse arrived. Now three teenagers-one human, one vampire, and one zombie-have to team up to figure out how to get rid of the visitors.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Freaks of Nature?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Sundown: The Vampire in Retreat

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Night of the Creeps

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Land of the Dead

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The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.

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Names above the title

The people responsible.

Directed by

Robbie Pickering

Written by

Oren Uziel

Nicholas Braun

Nicholas Braun

Dag Parker

Mackenzie Davis

Mackenzie Davis

Petra Lane

Josh Fadem

Josh Fadem

Ned Mosely

Vanessa Hudgens

Vanessa Hudgens

Lorelei

Ed Westwick

Ed Westwick

Milan

Keegan-Michael Key

Keegan-Michael Key

Mr. Keller

Joan Cusack

Joan Cusack

Peg Parker

Court is in session

Put Freaks of Nature on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.