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Hell's Angels

Hell's Angels

Drama · War · Action · 1930

As the Great War breaks out in Europe, English brothers Roy and Monte enlist in the Royal Flying Corps to fight for king and country, while their Oxford College friend Karl is ordered back to Germany. As a love triangle develops involving Monte, Roy, and Roy's girlfriend, Helen, the brothers' disparate personalities, and Monte's cowardice in the face of war soon threaten to compromise a top-secret bombing mission over German territory.

Movie details

Hell's Angels

“Howard Hughes' Thrilling Multi-Million Dollar Air Spectacle”

1930 Drama · War · Action 2h 11m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

As the Great War breaks out in Europe, English brothers Roy and Monte enlist in the Royal Flying Corps to fight for king and country, while their Oxford College friend Karl is ordered back to Germany. As a love triangle develops involving Monte, Roy, and Roy's girlfriend, Helen, the brothers' disparate personalities, and Monte's cowardice in the face of war soon threaten to compromise a top-secret bombing mission over German territory.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hell's Angels?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Howard Hughes

Written by

Marshall Neilan · Joseph Moncure March

Ben Lyon

Ben Lyon

Monte Rutledge

James Hall

James Hall

Roy Rutledge

Jean Harlow

Jean Harlow

Helen

John Darrow

John Darrow

Karl Armstedt

Lucien Prival

Lucien Prival

Baron Von Kranz

Frank Clarke

Frank Clarke

Lt. von Bruen

R

Roy Wilson

Baldy Maloney

Court is in session

Put Hell's Angels on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.