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Valkyrie

Valkyrie

Drama · Thriller · War · 2008

Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer.

Movie details

Valkyrie

“Many saw evil. They dared to stop it.”

2008 Drama · Thriller · War 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Valkyrie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Bryan Singer

Written by

Christopher McQuarrie · Nathan Alexander

Tom Cruise

Tom Cruise

Claus Schenk Graf von Stauffenberg

Kenneth Branagh

Kenneth Branagh

Henning von Tresckow

Bill Nighy

Bill Nighy

Friedrich Olbricht

Terence Stamp

Terence Stamp

Ludwig Beck

Tom Wilkinson

Tom Wilkinson

Friedrich Fromm

Carice van Houten

Carice van Houten

Nina Schenk Gräfin von Stauffenberg

Kenneth Cranham

Kenneth Cranham

Field Marshal Wilhelm Keitel

Court is in session

Put Valkyrie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.