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The Talk of the Town

The Talk of the Town

Comedy · Drama · Romance · 1942

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

Movie details

The Talk of the Town

“Three people who make life more exciting... love more precious... laughter more joyous!”

1942 Comedy · Drama · Romance 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Talk of the Town?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

George Stevens

Written by

Irwin Shaw · Sidney Buchman · Sidney Harmon

Cary Grant

Cary Grant

Leopold Dilg

Jean Arthur

Jean Arthur

Nora Shelley

Ronald Colman

Ronald Colman

Michael Lightcap

Edgar Buchanan

Edgar Buchanan

Sam Yates

Glenda Farrell

Glenda Farrell

Regina Bush

Charles Dingle

Charles Dingle

Andrew Holmes

Emma Dunn

Emma Dunn

Mrs. Shelley

Court is in session

Put The Talk of the Town on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.