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House of Usher

House of Usher

Horror · Drama · 1960

Convinced that his family is tainted by generations of evil, Roderick Usher is hellbent on stopping his sister Madeline’s wedding to prevent the cursed Usher bloodline from expanding. When her fiancé Philip Winthrop arrives at the crumbling estate to claim his bride, Roderick goes to ruthless—even deadly—lengths to keep them apart.

Movie details

House of Usher

“Edgar Allan Poe's demonic tale of The Ungodly... The Evil House of Usher”

1960 Horror · Drama 1h 19m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Convinced that his family is tainted by generations of evil, Roderick Usher is hellbent on stopping his sister Madeline’s wedding to prevent the cursed Usher bloodline from expanding. When her fiancé Philip Winthrop arrives at the crumbling estate to claim his bride, Roderick goes to ruthless—even deadly—lengths to keep them apart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over House of Usher?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dracula

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The Haunting

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To Kill a Mockingbird

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Names above the title

The people responsible.

Directed by

Roger Corman

Written by

Richard Matheson

Vincent Price

Vincent Price

Roderick Usher

Mark Damon

Mark Damon

Philip Winthrop

Myrna Fahey

Myrna Fahey

Madeline Usher

Harry Ellerbe

Harry Ellerbe

Bristol

D

David Andar

Ghost (uncredited)

Bill Borzage

Bill Borzage

Ghost (uncredited)

M

Mario Bellini

Ghost (uncredited)

Court is in session

Put House of Usher on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.