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The Cobbler

The Cobbler

Fantasy · Comedy · Drama · 2014

Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.

Movie details

The Cobbler

“Saving the neighborhood one sole at a time.”

2014 Fantasy · Comedy · Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Cobbler?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tom McCarthy

Written by

Paul Sado · Tom McCarthy

Adam Sandler

Adam Sandler

Max Simkin

Method Man

Method Man

Leon Ludlow

Dustin Hoffman

Dustin Hoffman

Abraham Simkin

Steve Buscemi

Steve Buscemi

Jimmy

Melonie Díaz

Melonie Díaz

Carmen Herrara

Ellen Barkin

Ellen Barkin

Elaine Greenawalt

Dan Stevens

Dan Stevens

Emiliano

Court is in session

Put The Cobbler on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.