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24 Days

24 Days

Drama · Thriller · 2014

When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the "gang of barbarians".

Movie details

24 Days

“The true story of the Ilan Halimi affair”

2014 Drama · Thriller 1h 50m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

742 votes

Rotten Tomatoes

83 %

Tomatometer

Metacritic

59 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the "gang of barbarians".

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 24 Days?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Capital

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The head of a giant European investment bank desperately clings to power when an American hedge fund company tries to buy them out.

The Beasts

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Three Days and a Life

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Remember

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Where it lives

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Names above the title

The people responsible.

Directed by

Alexandre Arcady

Written by

Alexandre Arcady · Émilie Frèche · Antoine Lacomblez

Zabou Breitman

Zabou Breitman

Ruth Halimi

Pascal Elbé

Pascal Elbé

Didier Halimi

Jacques Gamblin

Jacques Gamblin

Commander Delcour

Sylvie Testud

Sylvie Testud

Brigitte Farell

Éric Caravaca

Éric Caravaca

José Fernandez

Syrus Shahidi

Syrus Shahidi

Ilan

Kevin Elarbi

Kevin Elarbi

Karim

Court is in session

Put 24 Days on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.