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The Prince and the Showgirl

The Prince and the Showgirl

Comedy · Romance · 1957

An American showgirl becomes entangled in political intrigue when the Prince Regent of a foreign country attempts to seduce her.

Movie details

The Prince and the Showgirl

“SOME COUNTRIES HAVE A MEDAL FOR EVERYTHING”

1957 Comedy · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An American showgirl becomes entangled in political intrigue when the Prince Regent of a foreign country attempts to seduce her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Prince and the Showgirl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Laurence Olivier

Written by

Terence Rattigan

Marilyn Monroe

Marilyn Monroe

Elsie

Laurence Olivier

Laurence Olivier

The Regent

Sybil Thorndike

Sybil Thorndike

The Queen Dowager

Richard Wattis

Richard Wattis

Northbrook

Jeremy Spenser

Jeremy Spenser

King Nicolas

David Horne

David Horne

The Foreign Office

Harold Goodwin

Harold Goodwin

Call Boy

Court is in session

Put The Prince and the Showgirl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.