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The Buddy Holly Story

The Buddy Holly Story

Drama · Music · 1978

A chronicle of the rise and brief career of rock 'n' roll star Buddy Holly, who aspires to play music the way he wants it to sound. Holly and his band, the Crickets, are first invited to record in Nashville, where they encounter creative differences with the producing staff. Later they play a major booking at the Apollo Theater, scheduled there under the mistaken assumption that they're a black band. Holly's career eventually goes solo -- until the tragic day the music dies.

Movie details

The Buddy Holly Story

“His story will have you singing, laughing, crying, cheering, and stomping your feet”

1978 Drama · Music 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A chronicle of the rise and brief career of rock 'n' roll star Buddy Holly, who aspires to play music the way he wants it to sound. Holly and his band, the Crickets, are first invited to record in Nashville, where they encounter creative differences with the producing staff. Later they play a major booking at the Apollo Theater, scheduled there under the mistaken assumption that they're a black band. Holly's career eventually goes solo -- until the tragic day the music dies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Buddy Holly Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Steve Rash

Written by

Robert Gittler · Alan Swyer

Gary Busey

Gary Busey

Buddy Holly

Don Stroud

Don Stroud

Jesse Charles

Charles Martin Smith

Charles Martin Smith

Ray Bob Simmons

Conrad Janis

Conrad Janis

Ross Turner

William Jordan

William Jordan

Riley

Maria Richwine

Maria Richwine

Maria Elena Holly

A

Amy Johnston

Cindy Lou

Court is in session

Put The Buddy Holly Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.