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Just One of the Guys

Just One of the Guys

Comedy · Romance · 1985

When Terry Griffith loses her high school's writing competition, she's convinced that it's because she's a girl. So Terry decides to change high schools and pose as a boy to prove her point. Her brother, Buddy, helps her pass as a guy so well that she is soon making friends with the boys at school, including the attractive Rick, who becomes her new best friend. But her gender-swapping makes things difficult when she falls in love with him.

Movie details

Just One of the Guys

“She's about to go where no girl has gone before!”

1985 Comedy · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

When Terry Griffith loses her high school's writing competition, she's convinced that it's because she's a girl. So Terry decides to change high schools and pose as a boy to prove her point. Her brother, Buddy, helps her pass as a guy so well that she is soon making friends with the boys at school, including the attractive Rick, who becomes her new best friend. But her gender-swapping makes things difficult when she falls in love with him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Just One of the Guys?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lisa Gottlieb

Written by

Jeff Franklin · Dennis Feldman

Joyce Hyser

Joyce Hyser

Terry

Clayton Rohner

Clayton Rohner

Rick

Billy Jayne

Billy Jayne

Buddy

William Zabka

William Zabka

Greg

Toni Hudson

Toni Hudson

Denise

Leigh McCloskey

Leigh McCloskey

Kevin

Sherilyn Fenn

Sherilyn Fenn

Sandy

Court is in session

Put Just One of the Guys on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.