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Harrison Bergeron

Harrison Bergeron

Science Fiction · TV Movie · 1995

"All men are not created equal. It is the purpose of the Government to make them so." This is the premise of the Showtime film adaption of Kurt Vonnegut's futuristic short story Harrison Bergeron. The film centers around a young man (Harrison) who is smarter than his peers, and is not affected by the usual "Handicapping" which is used to train all Americans so everyone is of equal intelligence.

Movie details

Harrison Bergeron

“Welcome to the future. It's a no-brainer.”

1995 Science Fiction · TV Movie 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

"All men are not created equal. It is the purpose of the Government to make them so." This is the premise of the Showtime film adaption of Kurt Vonnegut's futuristic short story Harrison Bergeron. The film centers around a young man (Harrison) who is smarter than his peers, and is not affected by the usual "Handicapping" which is used to train all Americans so everyone is of equal intelligence.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Harrison Bergeron?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Bruce Pittman

Written by

Arthur Crimm · Jon Glascoe

Sean Astin

Sean Astin

Harrison Bergeron

Miranda de Pencier

Miranda de Pencier

Phillipa

Eugene Levy

Eugene Levy

President McCloskey

Howie Mandel

Howie Mandel

Charlie

Andrea Martin

Andrea Martin

Diana Moon Glampers

Christopher Plummer

Christopher Plummer

John Klaxon

Nigel Bennett

Nigel Bennett

Dr. Eisenstock

Court is in session

Put Harrison Bergeron on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.