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The Cat

The Cat

Drama · 1971

Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.

Movie details

The Cat

“A love/hate so devastating it destroys everything...the marriage, the wife, the husband, the house...even the cat”

1971 Drama 1h 27m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

2.7K votes

TMDB

7.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Cat?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pierre Granier-Deferre

Written by

Pierre Granier-Deferre · Pascal Jardin

Jean Gabin

Jean Gabin

Julien Bouin

Simone Signoret

Simone Signoret

Clémence Bouin

Annie Cordy

Annie Cordy

Nelly, boss of the Floride hotel

Jacques Rispal

Jacques Rispal

Doctor

Harry-Max

Harry-Max

Retiree, ex-colleague of Julien

Carlo Nell

Carlo Nell

Real estate agent

André Rouyer

André Rouyer

Union representative

Court is in session

Put The Cat on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.