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Life Itself

Life Itself

Documentary · 2014

The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

Movie details

Life Itself

“The only thing Roger loved more than movies.”

2014 Documentary 2h 1m

Critical arithmetic

The consensus, allegedly.

IMDb

7.8 / 10

16.6K votes

Rotten Tomatoes

98 %

Tomatometer

Metacritic

87 / 100

Metascore

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Life Itself?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Steve James

Stephen Stanton

Stephen Stanton

Roger Ebert (voice)

Roger Ebert

Roger Ebert

Self - Film Critic

Chaz Ebert

Chaz Ebert

Self - Ebert's Wife

Ramin Bahrani

Ramin Bahrani

Self - Filmmaker

R

Richard Corliss

Self - Film Critic

N

Nancy De Los Santos

Self - TV Producer

Ava DuVernay

Ava DuVernay

Self - Filmmaker

Court is in session

Put Life Itself on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.