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Jude

Jude

Drama · Romance · 1996

In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.

Movie details

Jude

“A time without pity. A society without mercy. A love without equal.”

1996 Drama · Romance 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jude?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tess

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Names above the title

The people responsible.

Directed by

Michael Winterbottom

Written by

Hossein Amini

Kate Winslet

Kate Winslet

Sue Bridehead

Christopher Eccleston

Christopher Eccleston

Jude Fawley

Liam Cunningham

Liam Cunningham

Phillotson

Rachel Griffiths

Rachel Griffiths

Arabella

June Whitfield

June Whitfield

Aunt Drusilla

James Nesbitt

James Nesbitt

Uncle Joe

Paul Bown

Paul Bown

Uncle Jim

Court is in session

Put Jude on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.