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The Infinite Man

The Infinite Man

Science Fiction · Comedy · Romance · 2014

A man's attempts to construct the ultimate romantic weekend backfire when his quest for perfection traps his lover in an infinite loop.

Movie details

The Infinite Man

“Love makes the world go round... and around... and around”

2014 Science Fiction · Comedy · Romance 1h 25m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A man's attempts to construct the ultimate romantic weekend backfire when his quest for perfection traps his lover in an infinite loop.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Infinite Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After her fiance sleeps with a celebrity on his free pass list, Abby Meyers, with nothing but five names and a fantasy shared by millions, sets out for Los Angeles to sleep with someone from hers.

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10

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A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.

A Nice Girl Like You

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Lucy Neal is thrown for a loop when she is accused of being too inhibited by her ex-boyfriend. In an effort to prove him wrong, Lucy creates a rather wild to-do list that sends her on a whirlwind and surprising journey of self-discovery, friendship, and new love.

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The Wrong Missy

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A guy meets the woman of his dreams and invites her to his company's corporate retreat, but realizes he sent the invite to the wrong person.

Where it lives

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Names above the title

The people responsible.

Directed by

Hugh Sullivan

Written by

Hugh Sullivan

Josh McConville

Josh McConville

Dean

Hannah Marshall

Hannah Marshall

Lana

Alex Dimitriades

Alex Dimitriades

Terry

Court is in session

Put The Infinite Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.