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The Sleeping Dictionary

The Sleeping Dictionary

Drama · Romance · 2003

In the 1930s, British officer John Truscott journeys to a remote village in colonial Malaysia to educate and Westernize the local Iban population. There, he's introduced to the lovely Selima. In keeping with tradition, Selima is assigned to sleep with Truscott and teach him the native language and customs. But when they fall in love, both colonists and natives object to their plans to marry.

Movie details

The Sleeping Dictionary

“He's an unexpected education.”

2003 Drama · Romance 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

In the 1930s, British officer John Truscott journeys to a remote village in colonial Malaysia to educate and Westernize the local Iban population. There, he's introduced to the lovely Selima. In keeping with tradition, Selima is assigned to sleep with Truscott and teach him the native language and customs. But when they fall in love, both colonists and natives object to their plans to marry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sleeping Dictionary?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Guy Jenkin

Written by

Guy Jenkin

Jessica Alba

Jessica Alba

Selima

Brenda Blethyn

Brenda Blethyn

Aggie

Hugh Dancy

Hugh Dancy

John Truscott

Bob Hoskins

Bob Hoskins

Henry Bullard

Junix Inocian

Junix Inocian

Famous

Mano Maniam

Mano Maniam

Policeman

K.K. Moggie

K.K. Moggie

Tipong

Court is in session

Put The Sleeping Dictionary on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.