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Untamed Heart

Untamed Heart

Drama · Romance · 1993

Caroline, a young waitress who seems to have bad taste in men, is on her way home one night when thugs attempt to rape her. Adam, the mysterious busboy who works at the same diner, helps fight off the assailants, and she begins a relationship with him -- but not all their fellow Minnesotans are happy for them. Meanwhile, the couple face their own difficulties when Caroline finds about Adam's past, including his unique health condition.

Movie details

Untamed Heart

“He doesn't make sense. She doesn't make sense. Together they make sense.”

1993 Drama · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Caroline, a young waitress who seems to have bad taste in men, is on her way home one night when thugs attempt to rape her. Adam, the mysterious busboy who works at the same diner, helps fight off the assailants, and she begins a relationship with him -- but not all their fellow Minnesotans are happy for them. Meanwhile, the couple face their own difficulties when Caroline finds about Adam's past, including his unique health condition.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Untamed Heart?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tony Bill

Written by

Tom Sierchio

Christian Slater

Christian Slater

Adam

Marisa Tomei

Marisa Tomei

Caroline

Rosie Perez

Rosie Perez

Cindy

Kyle Secor

Kyle Secor

Howard

Willie Garson

Willie Garson

Patsy

G

Gary Groomes

Bill #2

James Cada

James Cada

Bill #1

Court is in session

Put Untamed Heart on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.