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Memoirs of an Invisible Man

Memoirs of an Invisible Man

Science Fiction · Comedy · Romance · 1992

After a freak accident, an invisible yuppie runs for his life from a treacherous CIA official while trying to cope with his new life.

Movie details

Memoirs of an Invisible Man

“Women want him for his wit. The C.I.A. wants him for his body. All Nick wants is his molecules back.”

1992 Science Fiction · Comedy · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After a freak accident, an invisible yuppie runs for his life from a treacherous CIA official while trying to cope with his new life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Memoirs of an Invisible Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Carpenter

Written by

Robert Collector · Dana Olsen · William Goldman

Chevy Chase

Chevy Chase

Nick Holloway

Daryl Hannah

Daryl Hannah

Alice Monroe

Sam Neill

Sam Neill

David Jenkins

Michael McKean

Michael McKean

George Talbot

Stephen Tobolowsky

Stephen Tobolowsky

Warren Singleton

Jim Norton

Jim Norton

Dr. Bernard Wachs

Pat Skipper

Pat Skipper

Morrissey

Court is in session

Put Memoirs of an Invisible Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.