“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Hannibal Brooks
Comedy · War · 1969
A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.
Hannibal Brooks
“Supersoldier in the Super Adventure”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Hannibal Brooks?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Michael Winner
Written by
Michael Winner · Tom Wright · Dick Clement · Ian La Frenais
Put Hannibal Brooks on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






