The defence The Auteur Devotee
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Stop at Nothing: The Lance Armstrong Story
Documentary · 2014
A portrait of the man behind the greatest fraud in sporting history. Lance Armstrong enriched himself by cheating his fans, his sport and the truth. But the former friends whose lives and careers he destroyed would finally bring him down.
Movie details
Stop at Nothing: The Lance Armstrong Story
“You think you know this story? You don't.”
2014 Documentary 1h 40m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.3 / 10
Community rating
A portrait of the man behind the greatest fraud in sporting history. Lance Armstrong enriched himself by cheating his fans, his sport and the truth. But the former friends whose lives and careers he destroyed would finally bring him down.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Stop at Nothing: The Lance Armstrong Story?
For the defence
The Auteur Devotee
“You watch the director, not the movie.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Alex Gibney explores the phenomenon of Stuxnet, a self-replicating computer virus discovered in 2010 by international IT experts. Evidently commissioned by the US and Israeli governments, this malware was designed to specifically sabotage Iran’s nuclear programme. However, the complex computer worm ended up not only infecting its intended target but also spreading uncontrollably.
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78/52
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The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
Tony Hawk: Until the Wheels Fall Off
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A wide-ranging, definitive look at Hawk’s life and iconic career, and his relationship with the sport with which he’s been synonymous for decades, featuring unprecedented access, never-before-seen footage, and interviews with Hawk and prominent figures in the sport including Stacy Peralta, Rodney Mullen, Mike McGill, Lance Mountain, Steve Caballero, Neil Blender, Andy MacDonald, Duane Peters, Sean Mortimer, and Christian Hosoi.
Belushi
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Using previously unheard audiotapes recorded shortly after John Belushi’s death, director R.J. Cutler’s documentary feature examines the too-short life of the once-in-a-generation talent who captured the hearts and funny bones of devoted audiences.
Robin Williams: Come Inside My Mind
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A funny, intimate and heartbreaking portrait of one of the world’s most beloved and inventive comedians, Robin Williams, told largely through his own words. Celebrates what he brought to comedy and to the culture at large, from the wild days of late-1970s L.A. to his death in 2014.
Welcome to Chechnya
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This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ program raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil.
The Fog of War
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The Kid Stays in the Picture
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Documentary about legendary Paramount producer Robert Evans, based on his famous 1994 autobiography.
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Names above the title
The people responsible.
Cast & crew
Directed by
Alex Holmes
Lance Armstrong
Himself
Betsy Andreu
Self
Frankie Andreu
Self
Greg LeMond
Self
Court is in session
Put Stop at Nothing: The Lance Armstrong Story on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.