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Little Darlings

Little Darlings

Comedy · Drama · 1980

Two 15-year-old girls from different sides of the tracks compete to see who will be first to lose their virginity while at camp.

Movie details

Little Darlings

“Don't let the title fool you.”

1980 Comedy · Drama 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Two 15-year-old girls from different sides of the tracks compete to see who will be first to lose their virginity while at camp.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Little Darlings?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Alex Strangelove

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Rushmore

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Comedy · 1998

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

Where it lives

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Names above the title

The people responsible.

Directed by

Ronald F. Maxwell

Written by

Kimi Peck · Dalene Young

Tatum O'Neal

Tatum O'Neal

Ferris

Kristy McNichol

Kristy McNichol

Angel

Armand Assante

Armand Assante

Gary

Matt Dillon

Matt Dillon

Randy

Margaret Blye

Margaret Blye

Ms. Bright

Nicolas Coster

Nicolas Coster

Mr. Whitney

Krista Errickson

Krista Errickson

Cinder

Court is in session

Put Little Darlings on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.