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Adaptation.

Adaptation.

Comedy · Crime · Drama · 2002

Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman and Orlean's book become strangely intertwined as each one's search for passion collides with the other's.

Movie details

Adaptation.

“From the creator of Being John Malkovich, comes the story about the creator of Being John Malkovich.”

2002 Comedy · Crime · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman and Orlean's book become strangely intertwined as each one's search for passion collides with the other's.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Adaptation.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Spike Jonze

Written by

Charlie Kaufman

Nicolas Cage

Nicolas Cage

Charlie Kaufman / Donald Kaufman

Meryl Streep

Meryl Streep

Susan Orlean

Chris Cooper

Chris Cooper

John Laroche

Tilda Swinton

Tilda Swinton

Valerie Thomas

Jay Tavare

Jay Tavare

Matthew Osceola

Litefoot

Litefoot

Russell

Roger Willie

Roger Willie

Randy

Court is in session

Put Adaptation. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.