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The Other Guys

The Other Guys

Comedy · Action · 2010

Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.

Movie details

The Other Guys

“NY's finest were busy.”

2010 Comedy · Action 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

6.7 / 10

307.9K votes

Rotten Tomatoes

78 %

Tomatometer

Metacritic

64 / 100

Metascore

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Other Guys?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Adam McKay

Written by

Adam McKay · Chris Henchy

Will Ferrell

Will Ferrell

Detective Allen Gamble

Mark Wahlberg

Mark Wahlberg

Detective Terry Hoitz

Eva Mendes

Eva Mendes

Sheila Gamble

Michael Keaton

Michael Keaton

Captain Gene Mauch

Steve Coogan

Steve Coogan

David Ershon

Ray Stevenson

Ray Stevenson

Roger Wesley

Samuel L. Jackson

Samuel L. Jackson

P.K. Highsmith

Court is in session

Put The Other Guys on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.