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Concert for George

Concert for George

Music · Documentary · 2003

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Movie details

Concert for George

2003 Music · Documentary 2h 20m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Concert for George?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

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Names above the title

The people responsible.

Directed by

David Leland

Joe Brown

Joe Brown

Self

Eric Clapton

Eric Clapton

Self

Jools Holland

Jools Holland

Self

Sam Brown

Sam Brown

Self

Jeff Lynne

Jeff Lynne

Self

Paul McCartney

Paul McCartney

Self

Tom Petty

Tom Petty

Self

Court is in session

Put Concert for George on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.