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Fatal Fury: The Motion Picture

Fatal Fury: The Motion Picture

Action · Animation · Fantasy · 1994

The Armor of Mars -- a suit of armor consisting of six pieces. If anyone from the bloodline of the ancient warrior Godimus were to find all six pieces for himself, he would receive power equal to the level of a god. The Curse of Godimus, however, also dictates that this same person would lose all sense of himself and become an insane killing machine.

Movie details

Fatal Fury: The Motion Picture

“Based on the Bestselling Video Game!”

1994 Action · Animation · Fantasy 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

The Armor of Mars -- a suit of armor consisting of six pieces. If anyone from the bloodline of the ancient warrior Godimus were to find all six pieces for himself, he would receive power equal to the level of a god. The Curse of Godimus, however, also dictates that this same person would lose all sense of himself and become an insane killing machine.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fatal Fury: The Motion Picture?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Masami Obari

Written by

Yuji Matsumoto

K

Kazukiyo Nishikiori

Terry Bogard (voice)

Keiichi Nanba

Keiichi Nanba

Andy Bogard (voice)

Kotono Mitsuishi

Kotono Mitsuishi

Mai Shiranui (voice)

Nobuyuki Hiyama

Nobuyuki Hiyama

Joe Higashi (voice)

Shin-ichiro Miki

Shin-ichiro Miki

Laocorn Gaudeamus (voice)

Tomo Sakurai

Tomo Sakurai

Sulia Gaudeamus (voice)

Chafurin

Chafurin

Cheng Sinzan (voice)

Court is in session

Put Fatal Fury: The Motion Picture on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.