“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Diary of a Madman
Horror · 1963
Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.
Diary of a Madman
“The most terrifying motion picture ever!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Diary of a Madman?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Reginald Le Borg
Written by
Robert E. Kent
Put Diary of a Madman on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.





