The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Attack on Titan
Horror · Action · Science Fiction · 2015
100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.
Movie details
Attack on Titan
“The face of humanity's extinction.”
2015 Horror · Action · Science Fiction 1h 38m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Attack on Titan?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Shinji Higuchi
Written by
Yusuke Watanabe · Tomohiro Machiyama
Haruma Miura
Eren
Kiko Mizuhara
Mikasa
Kanata Hongo
Armin
Hitomi Miyauchi
Sasha
Takahiro Miura
Jean
Satomi Ishihara
Hans
Hiroki Hasegawa
Shikishima
Court is in session
Put Attack on Titan on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.