“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Last Shift
Horror · Mystery · 2014
Rookie police officer Jessica Loren has been assigned the last shift at a closing police station and must wait for a hazmat crew to collect biomedical evidence. Ordered not to leave the station under any circumstances, Jessica comes to learn that it's more than just an outdated station, it's home to the ultimate embodiment of evil and his devoted bloodthirsty followers. Jessica is left to fend for herself in the Devil's playground.
Last Shift
“All Hail the King of Hell”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Rookie police officer Jessica Loren has been assigned the last shift at a closing police station and must wait for a hazmat crew to collect biomedical evidence. Ordered not to leave the station under any circumstances, Jessica comes to learn that it's more than just an outdated station, it's home to the ultimate embodiment of evil and his devoted bloodthirsty followers. Jessica is left to fend for herself in the Devil's playground.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Last Shift?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Anthony DiBlasi
Written by
Anthony DiBlasi · Scott Poiley
Put Last Shift on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.




