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Moonfleet

Moonfleet

Adventure · Drama · History · 1955

Set in the eighteenth century, Moonfleet is about John Mohune, a young orphan who is sent to the Dorset village of Moonfleet to stay with an old friend of his mother's, Jeremy Fox. Fox is a morally ambiguous character, an elegant gentleman involved with smugglers and pirates.

Movie details

Moonfleet

“Wild and wonderful as the thrill-packed novel that inspired it !”

1955 Adventure · Drama · History 1h 27m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

4.2K votes

Rotten Tomatoes

64 %

Tomatometer

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Set in the eighteenth century, Moonfleet is about John Mohune, a young orphan who is sent to the Dorset village of Moonfleet to stay with an old friend of his mother's, Jeremy Fox. Fox is a morally ambiguous character, an elegant gentleman involved with smugglers and pirates.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Moonfleet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Fritz Lang

Written by

Jan Lustig · Margaret Fitts

Stewart Granger

Stewart Granger

Jeremy Fox

George Sanders

George Sanders

Lord James Ashwood

Joan Greenwood

Joan Greenwood

Lady Clarista Ashwood

Viveca Lindfors

Viveca Lindfors

Mrs. Minton

Jon Whiteley

Jon Whiteley

John Mohune

Liliane Montevecchi

Liliane Montevecchi

Gypsy

Melville Cooper

Melville Cooper

Felix Ratsey

Court is in session

Put Moonfleet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.