“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Dr. Jekyll and Mr. Hyde
Horror · Science Fiction · Drama · 1931
Dr. Henry Jekyll believes that there are two distinct sides to men: one that is good and one that is evil. He believes that by separating the two, man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug, it is already too late.
Dr. Jekyll and Mr. Hyde
“Put yourself in her place! The dreaded night when her lover became a madman!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
Dr. Henry Jekyll believes that there are two distinct sides to men: one that is good and one that is evil. He believes that by separating the two, man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug, it is already too late.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dr. Jekyll and Mr. Hyde?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Rouben Mamoulian
Written by
Samuel Hoffenstein · Percy Heath
Put Dr. Jekyll and Mr. Hyde on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






