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People, Places, Things

People, Places, Things

Romance · Comedy · Drama · 2015

Will Henry is a newly single graphic novelist balancing being a parent to his young twin daughters and teaching a classroom full of college students, all the while trying to navigate the rich complexities of new love and letting go of the woman who left him.

Movie details

People, Places, Things

2015 Romance · Comedy · Drama 1h 25m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

11.2K votes

Rotten Tomatoes

77 %

Tomatometer

Metacritic

68 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Will Henry is a newly single graphic novelist balancing being a parent to his young twin daughters and teaching a classroom full of college students, all the while trying to navigate the rich complexities of new love and letting go of the woman who left him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over People, Places, Things?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Good House

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Where it lives

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Names above the title

The people responsible.

Directed by

Jim Strouse

Written by

Jim Strouse

Jemaine Clement

Jemaine Clement

Will Henry

Regina Hall

Regina Hall

Diane

Stephanie Allynne

Stephanie Allynne

Charlie

Jessica Williams

Jessica Williams

Kat

Michael Chernus

Michael Chernus

Gary

Aundrea Gadsby

Aundrea Gadsby

Clio

Gia Gadsby

Gia Gadsby

Colette

Court is in session

Put People, Places, Things on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.