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Mickey and the Beanstalk

Mickey and the Beanstalk

Animation · Fantasy · Adventure · 1947

A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?

Movie details

Mickey and the Beanstalk

1947 Animation · Fantasy · Adventure 29m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mickey and the Beanstalk?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fun and Fancy Free

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Where it lives

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Names above the title

The people responsible.

Directed by

Hamilton Luske · Bill Roberts

Written by

Joe Rinaldi · Bill Peet · Homer Brightman

Walt Disney

Walt Disney

Mickey Mouse (voice)

Clarence Nash

Clarence Nash

Donald Duck (voice)

Pinto Colvig

Pinto Colvig

Goofy (voice)

Sterling Holloway

Sterling Holloway

Narrator (voice)

Paul Frees

Paul Frees

Ludwig Von Drake (voice) (uncredited)

Billy Gilbert

Billy Gilbert

Willie the Giant (voice) (uncredited)

A

Anita Gordon

Singing Harp (voice) (uncredited)

Court is in session

Put Mickey and the Beanstalk on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.