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The Beat Beneath My Feet

The Beat Beneath My Feet

Drama · Comedy · 2014

Teenage boy Tom lives with his single mum in a flat in South London. Into the flat below moves Steve, an anti-social former Rock God who faked his death 8 years ago. Tom agrees not to reveal his secret on condition that he teaches him the dark arts of Rock Guitar.

Movie details

The Beat Beneath My Feet

“Live your dreams”

2014 Drama · Comedy 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Teenage boy Tom lives with his single mum in a flat in South London. Into the flat below moves Steve, an anti-social former Rock God who faked his death 8 years ago. Tom agrees not to reveal his secret on condition that he teaches him the dark arts of Rock Guitar.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Beat Beneath My Feet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Williams

Written by

Michael Müller

Luke Perry

Luke Perry

Steve

Nicholas Galitzine

Nicholas Galitzine

Tom

Lisa Dillon

Lisa Dillon

Mary

V

Verity Pinter

Felix

Simon Lowe

Simon Lowe

Jonah

James Tarpey

James Tarpey

Damien

Ian Virgo

Ian Virgo

Chris

Court is in session

Put The Beat Beneath My Feet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.