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Thieves Like Us

Thieves Like Us

Crime · Drama · Romance · 1974

Three criminals escape from prison and embark on a robbery spree across USA. Along the way, one of them falls in love while they plan a final heist before going their separate ways.

Movie details

Thieves Like Us

“Robbing 36 banks was easy. Watch what happens when they hit the 37th.”

1974 Crime · Drama · Romance 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Three criminals escape from prison and embark on a robbery spree across USA. Along the way, one of them falls in love while they plan a final heist before going their separate ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Thieves Like Us?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Thomas Crown Affair

The Thomas Crown Affair

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Bored billionaire executive Thomas Crown decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover as he’s fallen in love.

Gun Crazy

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Crime · 1950

Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash.

Winter's Tale

Winter's Tale

Drama · 2014

A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her.

The Outsiders

The Outsiders

Crime · 1983

In 1960s Tulsa, class divisions ignite a violent rivalry between the working-class Greasers and the privileged Socs. When a deadly encounter forces two Greasers, Ponyboy and Johnny, to flee, their struggle for survival and redemption exposes the fragile innocence and enduring bonds of youth on the wrong side of town.

The Wrong Man

The Wrong Man

Crime · 1956

In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

The Night of the Hunter

The Night of the Hunter

Crime · 1955

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

White Heat

White Heat

Crime · 1949

A psychopathic criminal with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.

Brute Force

Brute Force

Crime · 1947

Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?

House of Strangers

House of Strangers

Drama · 1949

Ruthless Italian-American banker Gino Monetti is engaged in a number of criminal activities. Three of his four grown sons refuse to help their father stay out of prison after he's arrested for his questionable business practices. Three of them take over the business but kick their father out. Max, a lawyer, is the only son that remains loyal.

Where it lives

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Names above the title

The people responsible.

Directed by

Robert Altman

Written by

Joan Tewkesbury · Calder Willingham · Robert Altman

Shelley Duvall

Shelley Duvall

Keechie

Keith Carradine

Keith Carradine

Bowie

John Schuck

John Schuck

Chicamaw

Bert Remsen

Bert Remsen

T-Dub

Louise Fletcher

Louise Fletcher

Mattie

A

Ann Latham

Lula

Tom Skerritt

Tom Skerritt

Dee Mobley

Court is in session

Put Thieves Like Us on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.